Cat on a Hot Tin Roof

Cat on a Hot Tin Roof

Premiering in April 2024, "Cat on a Hot Tin Roof" offers a compelling portrayal of a heartless capitalist world in decline, where lies prove more alluring than the truth. Within the family unit, immersed in an existential abyss, unspoken desires and suppressed emotions resurface in an explosive manner. By placing this classic in a contemporary context, we aim to address the question of whether society has evolved since 1955 when this drama was originally penned. The twenty-first century seems an opportune time to scrutinize the worldviews of Williams' patriarchal South. The enduring tenets of capitalism remain unbridled, even as the new neoliberal guise consumes its offspring with renewed vigor. Our goal is to explore the depths of individual tragedy that Williams imbued in his characters and examine how relevant they remain today. Can a childless marriage, like that of Maggie and Brick, genuinely threaten the family's financial legacy? How do we interpret the motif of intimate friendship between Brick and the late Skipper in contemporary terms? Was it merely a naive bromance or something deeper? And just how destructive can sexuality be for a family in today's patriarchal society? Do we, on a global scale, still inhabit the richly described South in Tennessee Williams' dramas, that cruel place for individuals, or is today's South even harsher than Williams could have ever envisioned?

Tennessee Williams, one of the great American playwrights alongside Eugene O'Neill and Arthur Miller, achieved his first major success at the age of 33 with "The Glass Menagerie." This was followed by "A Streetcar Named Desire" (1947), "Cat on a Hot Tin Roof" (1955), "Sweet Bird of Youth" (1959), and "The Night of the Iguana" (1961), all of which are now considered classics of contemporary theater. While he also wrote short stories, poetry, essays, and memoirs, he is best remembered for his (early) plays. Born in Mississippi, he drew inspiration from his entire life, particularly his experiences in the conservative South and his dysfunctional family.

Elia Kazan, who directed many of his successful plays in both theater and film, once said of him, "Everything in his life is in his plays, and everything in his plays is in his life." Several of his plays were adapted into successful films, and he received numerous prestigious awards, including two Pulitzers and three New York Drama Critic's Circle Awards, along with a Tony Award, among others. Join us as we delve into the rich tapestry of Tennessee Williams' masterful storytelling and explore the complex themes that continue to resonate with audiences today.

Translation

Ivo Juriša

Director

Jug Đorđević

Adaptation and Dramaturgy

Tijana Grumić

Set Designer

Andreja Rondović

Costume Designer

Velimirka Damjanović

Music by

Nevena Glušica

Stage Movement Anja Ostojić

Language Consultant

Anita Runjić Stoilova

Light Designer

Srđan Barbarić

Oblikovanje tona

Josip Vinko Lozić

Stage Manager

Frane Smoljo

 

Margaret

Katarina Romac

Brick

Goran Marković

Big Daddy Pollitt

Trpimir Jurkić

Big Mama Pollitt

Tajana Jovanović

Gooper

Nikša Arčanin

Mae

Monika Vuco Carev

Reverent Tooker

Stipe Jelaska

Dr. Baugh

Elvis Bošnjak

The Servants

Filip Luka Gospić, Dea Maria Računica, Mia Bujan, Zdravko Vukelić